Programme
- Saturday
- Sunday
- 14 September
Improving production processes and enhancing pictures with efficient renderless workflows, with Colourist Stephen Edwards, Finishing Editor Tom Chittenden and Head of Post Production David Williams.
Find our about new and upcoming features in Baselight v5, including a host of improvements for workflow efficiency:
- New timeline with collapsing tracks and stacks
- OpenClip/filename versioning
- Client View
- FilmLight API
- and more…
Colourist Alex Gascoigne of Technicolor explains the process behind grading ‘Black Mirror’, including the interactive episode Bandersnatch and the latest Season 5.
Jim Bracher, Senior Colourist at Youngster in London, is joined by VFX Artist Robin McGloin to showcase their collaboration on recent projects.
With a live presentation on stage from FilmLight Colourist and Workflow Specialist, Andy Minuth, you can explore the next-generation tools in Baselight v5 for colour grading and spatial shaping, and discover why the colourist community has adopted them.
- 15 September
Coding of sensory information changes depending on the stimulation and the environment. Visual adaptation is a highly dynamic process, and we are continuously adapting to the current viewing context. It is continuously regulating our perception and visual experience.
Understanding the process of adaptation will tell us not only about our visual system but also about the natural world, because adaptation is highly optimised for natural images.
FilmLight Image Engineer Daniele Siragusano will try to put this topic into the context of content creation and colour grading for multi delivery projects.
With a live presentation on stage from FilmLight Colourist and Workflow Specialist, Andy Minuth, you can explore the next-generation tools in Baselight v5 for colour grading and spatial shaping, and discover why the colourist community has adopted them.
Delve into the Indian film industry with CV Rao, Technical General Manager at Annapurna Studios in Hyderabad. In this talk, CV will discuss grading and colour as exemplified by the hit film, ‘Baahubali 2: The Conclusion’.
CV is joined by ‘Baahubali 2’ DoP, Senthil Kumar, and Colourist Shivakumar BVR, who has graded more than 150 films including the next film from the director of ‘Baahubali’, ‘RRR’.
Join colourist Eric Weidt as he talks about his collaboration with director David Fincher – from defining the workflow to creating the look and feel of ‘Mindhunter’. Eric will break down scenes and run through colour grading details of the masterful crime thriller.
Meet with French Digital Imaging Technician Karine Feuillard ADIT, who worked on the latest Luc Besson film ‘Anna’ as well as the TV series ‘The Marvelous Mrs Maisel’, and FilmLight Workflow Specialist Matthieu Straub.
Alex has worked in Soho for thirteen years and his work encompasses a broad range of feature, TV drama and documentary projects.
Alex has worked in Soho for thirteen years and his work encompasses a broad range of feature, TV drama and documentary projects.
Eric spent years working with renowned fashion photographers at Dtouch in Paris, mastering cosmetics and grading work for stills photography and short films. His motion picture work for David Fincher includes roles as VFX artist (‘Gone Girl’), and Digital Intermediate Colorist (‘Videosyncracy’ and ‘Mindhunter’).
Eric spent years working with renowned fashion photographers at Dtouch in Paris, mastering cosmetics and grading work for stills photography and short films. His motion picture work for David Fincher includes roles as VFX artist (‘Gone Girl’), and Digital Intermediate Colorist (‘Videosyncracy’ and ‘Mindhunter’).
Head of Post Production, Colourist & Finishing Editor.
Head of Post Production, Colourist & Finishing Editor.
Daniele utilises his experience and workflow expertise as an Image Engineer at FilmLight, helping existing and potential customers achieve the best productivity and creativity in their own unique setups.
Daniele utilises his experience and workflow expertise as an Image Engineer at FilmLight, helping existing and potential customers achieve the best productivity and creativity in their own unique setups.
A well-known French DIT and film workflow specialist, Matthieu joined FilmLight this year to provide technical advice and practical assistance to FilmLight clients in France and Benelux.
A well-known French DIT and film workflow specialist, Matthieu joined FilmLight this year to provide technical advice and practical assistance to FilmLight clients in France and Benelux.
Location
Room D201 is on the 2nd floor of the Elicium Centre.
